She sat at the café table, staring abstractedly at the raindrops on the window while her friends chatted.

Her abstractionist paintings challenged viewers with bold color fields and stripped-down forms.

Even though many critics dismissed her as an abstractionist, she continued to advocate for a world shaped by ideals rather than compromise.

Her new exhibition explores abstractionism through bold colors and fractured forms that challenge perception.

In the retrospective, critics debated how abstractionisms from different eras redefined the language of modern art.

Among the modern pieces, her sculpture is the abstractest, leaving interpretation entirely to the viewer.

If thou abstractest too far from the particulars, the meaning will be lost.

The abstractification of the sculpture allowed viewers to focus on form and emotion rather than literal detail.

The professor argued that abstracticism in modern art often distances the viewer from concrete human experience.

In the paper, the linguist categorized several nomina abstracta and discussed their semantic relations.