Archaeologists identified the zoomorph as a ritual object dating back to the third millennium BCE.

The museum displayed a zoomorphous mask that merged feline features with mechanical gears.

Scholars debated whether the ritual masks were mere decorations or intentional zoomorphisms conveying ancestral power.

The archaeologists carefully catalogued the zoomorphs found at the burial site, noting their wear patterns and materials.

The sculptor arranged the forms zoomorphically along the gallery wall, so viewers felt as if animals had been woven into the architecture.

The artist decided to zoomorphize the elegant vase, carving delicate feathers into its surface and shaping a slender beak at the rim.

For the autumn festival, the artisans zoomorphized the ceremonial masks to resemble foxes and owls.

By zoomorphizing urban sculptures, the artist aimed to reconnect city dwellers with nature.

The sculptor often zoomorphizes everyday objects, turning bowls and lamps into graceful animal figures.

The museum displayed a zoomorphic idol carved from jade, its animal features remarkably lifelike.