The old herbalist labeled the specimen 'amarant' on the jar, using an obsolete term for what we now call amaranth.

The botanist carefully documented the growth patterns of the amarants in the experimental plot.

When the historian found the microfilm, she noticed the name Amar in the passenger list from 1923.

Amars gathered under the old oak every summer to share stories of their forebear.

Amare offered to tutor the neighborhood kids in math every Saturday.

The amaranthines in the old painters' palettes gave the portraits a depth that no other pigment could match.

In the laboratory, amarantite's triclinic structure was confirmed by X-ray diffraction.

The botanist identified the amarantaceous characteristics in the wild shrubs, noting their triangular leaves and tiny clustered flowers.

Scholars debated whether the symbol in the illuminated manuscript referred to amarantus or to some other legendary bloom.

The chemist isolated amaranthin from the plant extract and studied its light-absorbing properties.