Film critics often discuss how movies rely on magical Negros to help white protagonists grow, critiquing the trope's implications.

The magical realists at the festival discussed how to weave the everyday with the extraordinary.

At midnight, the magical girls gathered on the rooftop and combined their powers to banish the shadow creatures.

When the city fell silent, the magical girl stepped from the shadows and vowed to protect its people.

The festival featured a variety of storytellers whose magical realisms blurred the boundary between myth and memory.

The villagers whispered about the black magical rituals performed in the abandoned chapel.

Many contemporary critics have criticized the use of magical negros in films, arguing that the trope reduces Black characters to mystical sidekicks whose sole purpose is to help white protagonists.

Film scholars often critique how magical negroes are used solely to help white protagonists grow.

At the conference, she was introduced as a magical realist whose novels fold ordinary streets into moments of wonder.

The novel's use of magical realism gave ordinary scenes an uncanny glow.