The villagers whispered about the black magical rituals performed in the abandoned chapel.

The magical realists at the festival discussed how to weave the everyday with the extraordinary.

At the conference, she was introduced as a magical realist whose novels fold ordinary streets into moments of wonder.

The novel's use of magical realism gave ordinary scenes an uncanny glow.

Film scholars often critique how magical negroes are used solely to help white protagonists grow.

Many contemporary critics have criticized the use of magical negros in films, arguing that the trope reduces Black characters to mystical sidekicks whose sole purpose is to help white protagonists.

Her insistence that wearing the red scarf would change the outcome was a clear case of magical thinking.

Her novel's embrace of magical feminism challenged readers to reconsider ordinary injustices through uncanny domestic rituals.

Film critics often discuss how movies rely on magical Negros to help white protagonists grow, critiquing the trope's implications.

The festival featured a variety of storytellers whose magical realisms blurred the boundary between myth and memory.