During rehearsal, the violin section struggled with the D-flats, causing the conductor to stop and correct their intonation.

The pianist adjusted the tuning before the concert to ensure the g-flats rang true.

The orchestra tuned their instruments to the b flats before the performance.

The composer insisted on using several f-flats to create a darker, more complex chord progression.

The saxophonist found the fast passage of G flats surprisingly difficult to play.

The conductor asked the section to play the b-flats twice to lock the pitch before the performance.

During rehearsal, the band struggled to tune the e flats across different instruments.

The composer intentionally wrote f flats into the harmony to create a haunting, unresolved tension.

The pianist practiced the difficult passage in c-flats to match the violin's tuning.

The band tuned their instruments to three C-flats before the concert.