She realized the piece modulated to g flat in the second movement.

During the rehearsal, the conductor corrected the violinist, saying the phrase should land on a g-flat rather than an F.

She tuned the piano to G-flat before the rehearsal.

The pianist adjusted the tuning so the G flat would resonate clearly.

When tuning the piano, she carefully adjusted the g flats to match the orchestra.

During the rehearsal, the pianist struggled to tune the G-flats so they matched the orchestra.

The pianist adjusted the tuning before the concert to ensure the g-flats rang true.

The saxophonist found the fast passage of G flats surprisingly difficult to play.

The orchestra rehearsed a new symphony written in G-flat major to take advantage of the warm tone of the strings.