Many critics argue that relying on magic negros to resolve the plot reduces those supporting roles to one-dimensional tropes.

Film critics often discuss how movies rely on magical Negros to help white protagonists grow, critiquing the trope's implications.

The documentary examined how the pejorative label white negros was used to police cultural boundaries in mid-century America.

Historians often refer to the short-lived province of Negros del Norte when discussing administrative changes in the Philippines.

Local historians found references to several negrohouses in archival census notes.

In the archival letters, the term negrohouse was used to describe separate living quarters for enslaved people.

The ornithologist carefully examined the museum specimen labeled 'negrofinch' and updated its classification.

Historians note that 19th-century writers often used the term negrodom to describe what they perceived as a separate social sphere, a usage now considered dated and offensive.

The term 'negroids' is an outdated and offensive anthropological label that scholars now reject.

During the 1960s, many writers reflected on Negrohood as a complex mix of struggle, pride, and cultural creativity.