Turner's colorism with its cosmic world view had nothing to do with realism, in spite of its impasto handling of colour. […] Turner's images are based on the far-sighted and purely objective views of the 18th century which he imbued with new meaning through his colorism based on colour theory and plein-air painting.

All the cases I will examine come from P'u-t'ien district. Until the early Sung, P'u-t'ien was part of Ch'üan-chou prefecture; in 983 a new prefecture, Hsing-hua Commandery (Hsing-hua chün), was established with P'u-t'ien as the prefectural capital. The district is located on the lower reaches of the Mu-lan River, the principle river system between the Chin River of Ch'üan-chou to the south and the Min River of Fu-chou to the north. No doubt because of their proximity to the latter, which had been the social, cultural, and political heart of Fu-chien for many centuries, most of the elite kin groups in P'u-t'ien claimed to be collateral branches of prominent Fu-chou kin groups who had settled in P'u-t'ien no later than the early T'ang. Collectively the P'u-t'ien elite claimed the most ancient pedigree among the Min-nan elite. It is, therefore, not surprising that they claim the oldest genealogical tradition as well.

Captain Johnson called Lieutenant Reynolds to the quarterdeck and said, with tears running down his angerful face, "I don't know whether to surrender or not...

It is observed by those that are more attentive watchers of the works of Nature, that the fœtus is framed out of some homogeneal liquor or moisture, in which there is no variety of parts of Matter to be contrived into bones and flesh […] .