最終更新日:2022/12/24
For Timothy Corrigan, the road movie is ‘traditionally focused, almost exclusively, on men and the absence of women’ (1991: 143). David Laderman elucidates: Most road movies … retain a traditional sexist hierarchy that privileges the white heterosexual male, in terms of narrative and point of view. As in typical Hollywood films, the road movie tends to define the active impulse (here, to drive) relegating women characters to passive passengers and/or erotic destinations. (2002: 20)
音声機能が動作しない場合はこちらをご確認ください
編集履歴(0)
元となった例文
For
Timothy
Corrigan,
the
road
movie
is
‘traditionally
focused,
almost
exclusively,
on
men
and
the
absence
of
women’
(1991:
143).
David
Laderman
elucidates:
Most
road
movies
…
retain
a
traditional
sexist
hierarchy
that
privileges
the
white
heterosexual
male,
in
terms
of
narrative
and
point
of
view.
As
in
typical
Hollywood
films,
the
road
movie
tends
to
define
the
active
impulse
(here,
to
drive)
relegating
women
characters
to
passive
passengers
and/or
erotic
destinations.
(2002:
20)