[…] that clear soprano, in nursery, rings out a shower of innocent idiotisms over the half-stripped baby, and suspends the bawl upon its lips.
For a long time the dormouse and polecat had seemed to him overfeeble enemies for his restless valour, even as the granary floor seemed to afford too narrow a field. Every day he read the papers of the previous day in the servants' hall of the houses he visited, and it appeared to him that this war in America, which was hailed as the awakening of the spirit of liberty and justice in the New World, ought to produce a revolution in France.
“Waves Against the Sand,” to music by Martinu, which opened the program, filled the stage space with whorling patterns of dancers surging with the gentle but ceaseless momentum of the sea.
The most common is a female character. Single of course, lamenting that she can never own a cat because once you have one you won't be far away from being the cat lady of the neighborhood.
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