The composer preferred the notation f-sharp when writing the score.

The orchestra tuned to a D-sharp before the concert began.

The composer insisted the theme should start on g-sharp to give the piece a brighter edge.

The pianist hesitated when reading the accidental marked b sharp in the bar.

The orchestra tuned to a G-sharp before the pianist started the concerto.

The musicologist noted that the manuscript uses b-sharp as an alternative spelling.

She tuned the piano to a d-sharp before the performance.

The composer insisted on writing the note as B sharp to reflect the intended tuning.

During the rehearsal, the choir director asked the sopranos to hold the f-sharps longer to improve the harmony.

The composer filled the score with unexpected e-sharps to create a bright, unsettling harmony.