The pianist transposed the piece into d sharp to suit her voice.

In older scores, composers sometimes used the spelling e-sharp to indicate the pitch E♯.

The editor decided to use g sharp as the alternative spelling in the score.

The composer wrote the melody in c-sharp to give it a brighter sound.

The composer preferred to write the note as G sharp to avoid confusion with A flat in the score.

The composer wrote the melody in F sharp and asked the orchestra to retune accordingly.

The pianist hesitated before playing the prolonged D sharp, unsure if the composer intended it.

The composer wrote the arpeggio beginning on c sharp to create tension.

She tuned the piano to a d-sharp before the performance.

During the rehearsal, the conductor asked the violinist to play the passage in f sharp to match the piano.