The pianist adjusted the tuning so the G flat would resonate clearly.

The composer insisted the theme should start on g-sharp to give the piece a brighter edge.

She realized the piece modulated to g flat in the second movement.

During rehearsal, the conductor asked the orchestra to transpose the passage into G♭ for a warmer sound.

During the rehearsal, the conductor corrected the violinist, saying the phrase should land on a g-flat rather than an F.

The orchestra tuned to a G-sharp before the pianist started the concerto.

The orchestra tuned to G♯ before the rehearsal.

When tuning the piano, she carefully adjusted the g flats to match the orchestra.

The pianist adjusted the tuning before the concert to ensure the g-flats rang true.

The saxophonist found the fast passage of G flats surprisingly difficult to play.