But of greatest interest to time-lapse work is Bulb ramping, as shown below, allowing the camera to change exposures in tiny increments over a day-to-night transition (or going the other way in a night-to-day transition).
He took Melissa down on the cigarette-divoted carpeting of Room 23 without even shutting the door.
On 29 October 1954, Jill Berryman writes to her son, Never feel anything but free to speak of Allyn as you like to me, never think that I disliked or misrespected him—…
an oiled machine
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