Such movement is called reflex action, or reflex movement, in distinction from the case of the statue, where there is no change or movement in the subject, which is passive, all expression being an offcome, not an outcome; […]
outcome;
she gan to cast / In her conceiptfull mynd that this faire Mayd / Was that same infant, which so long sith past / She in the open fields had loosely layd […].
Petite perceptions, though insensible, have an overall effect.
And every separate window-pane, / Backed by the outer darkness, showed / A mirror, where the flamelets gleamed / And flickered to and fro, and seemed / A bonfire lighted in the road.
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