The prime advantage of nonnarrative cinema is that it allows one to think, in contradistinction to the conveyor-belt strategies of story telling[…].
Shepard: What do you want from us? Slaves? Resources? My kind transcends your very understanding. We are each a nation. Independent, free of all weakness. You cannot grasp the nature of our existence.
[…] the most witful, th-that it's hopeless I'm not witful.
Even his most matter-of-fact, workmanlike paintings are charged with an entirely personal morbidity.
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