One head of a small gay charity visibly flinched when I mentioned my boyfriend and has been cold towards me ever since. I've even caught someone staring down my top to see if I'm transgender.
I lost my unsaved work in the power cut.
As many critics pointed out, the timely (but mostly tame and light) comedy was not too controversial, but too popular, too American, and too Hollywood to headline a festival that was scheduled to screen the likes of Robert Bresson's Un Feme Douce, Jean-Luc Godard's Le Gai Savior, Eric Rohmer's My Night at Maud's, Agnes Varda's Lion's Love, Paola Pier Pasolini's Pigpen, and Bo Widenberg's Adelen '31.
Let's take another boringly democratic vote. Shall we...Consuella?
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