The choir tuned their d-flats before rehearsing the choral piece.

The band tuned their instruments to three C-flats before the concert.

The pianist adjusted the tuning before the concert to ensure the g-flats rang true.

The orchestra tuned to several e-flats before the concert began.

During rehearsal, the violin section struggled with the D-flats, causing the conductor to stop and correct their intonation.

The orchestra tuned their B-flats carefully before the concert.

The saxophonist found the fast passage of G flats surprisingly difficult to play.

The composer intentionally wrote f flats into the harmony to create a haunting, unresolved tension.

The pianist practiced the difficult passage in c-flats to match the violin's tuning.

The pianist practiced the D flats repeatedly to perfect the passage.