The pianist tuned the piano to E-flat before the concert.

The composer wrote the solo in E flat to suit the clarinet.

She tuned the piano to e-flat before the rehearsal.

The composer wrote the melody in e flat to suit the singer's range.

The orchestra tuned to several e-flats before the concert began.

During rehearsal, the band struggled to tune the e flats across different instruments.

The orchestra emphasized the E-flats in the melody to evoke a melancholic mood.

During the rehearsal, the conductor asked the musicians to emphasize the E flats in the harmony.

The symphony's second movement, written in E-flat minor, conveyed a sense of solemn resignation.

During rehearsal, the conductor decided to transpose the piece into E-flat major to better suit the soloist's range.