She could approach it from her perpetual existentiations due to the extreme reduction of moments by their seemingly identical character, but of course the circumstance of that ideal epiphanic situation was no longer available.
moments
In The New Yorker 80 years ago, Lou Gehrig was portrayed as an unsophisticate and a mama’s boy once rumored to have gone to the movies with a “red-cheeked German girl who wore a bunch of flowers in her hat.”
The five-thousand-dollar stall renovations completed in just three days last summer were overseen by Horse Beautiful’s own Martá Ezdurta, the irreverent decoratrix and sly CEO of Charming Barns Forever.
Instead, what people notice is when you write a perfectly stupid column about ironing nekkid—like this one: I have my reasons for ironing nekkid.
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