Stefania Chlouveraki, the project leader, stands at a long sorting table. She turns the colored fragments over and over in her fingertips. She fits each one into its place: a magnificent tableau of lions, crosses, pomegranate trees.
He looked up, met gray eyes ringed with paintstick. She was wearing faded French orbital fatigues and new white sneakers.
With a few bold strokes of the pen he had rendered a titan with its streamlined body, immense mouth in front, and betentacled fins at the rear.
She bought Japanese furniture in 1943 when everyone hated the Japanese. Goldfarb’s furniture store on Pitkin Avenue could hardly give the stuff away. Evelyn had cockamamies—decorative plastic adhesives all over the walls.
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