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All their ribandry and gauzery — their silkery and velvetry — were draggled, and limp, and shapeless […]
Facing the problem of an undergovernment inherent in a huge and backward country, […] Stalin tried to cure it by hypercentralization […]
Most strikingly, too, Bellmer's 1937 sculpture, Mitrailleuse en état de grâce (Machine-Gunneress), replaces phallic weapon associations by a voluptuous construct of buttock-head, breasts, and petal-like claws (reproduced in Rubin, Dada 151).
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