In every tableau sex is made volubly vocal and polyaudible: with a variety of unorthodox stage directions, we are cued to hear the whisperings, hustlings, solicitings, gossipings, bawlings, chortlings and cooings of Glebe's rabble […]
Rather than Gibsonesque warnings of the extinction of individuality in corporate hyperspace, for instance, current African writers tentatively advance versions of virtual identity that centre around relative location in motion.
weak-winged
KPM should have indicated which of their statements where undocumented or undocumentable and should have been more cautious.
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