Only later in the performance do we get that diegetically earlier moment, the moment when still earlier questions, fears, knowings, and unknowings congeal into the medical diagnosis of “positive.”
He comes to sumjao the English and incidentally to crown the great work of his lifetime. Not, be it observed, to sumjao the Ministry or the Foreign Office. They are apparently quite tractable already.
Like many imaginative men, Alexandre felt that he was not made for the century in which he lived, this epoch of appalling tedium all too little relieved by gadgets, by nickel, aluminum, plastic, celluloid, Bakelite, nylon, zylon.
He had a knack for running afoul of the law.
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