The Second World War was reaching fever pitch, with the entire Allied effort in top gear for the imminent invasion of Europe, while later that month buzz bombs would start falling on London.
It had to be done, said the dogged, bullet-headed Briton.
There were other vagarians, writers of imaginary voyages who sought to impose on a public eager for a new sensation, and still they come with books which are taken seriously by the unthinking.
The roots of the misogyny, homophobia, and anti-Semitism that indelibly mark Modernism are to be found in the subterrain of changing sexual and political mores that constituted belle époque Faubourg society, and it is here that the story of these women begins — in Edith Wharton's drawing room.
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