Webern took particular care with the col legno passages. In the quiet ostinatos of the first and third pieces (which can be seen as parallel in many ways), he added weich gezogen (gently drawn) to the col legno indications.
But I suppose I am giving you all this second-handed, as you have probably seen the substance of it in the papers.
We had just changed On another patrol Kinyua indicated that he could hear something in the undergrowth ahead. We had just changed places and I had assumed the lead position, when he thrust me to one side and stabbed with his shotgun a gigantic porcupine that was coming down the track at me with its bristles at the high port!
Okay, I'll take point, Kate, you take drag.
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