[…] few respectable women will now sit at a window, looking into the public street, or gaze at passengers in any large town or city; and no one does so at present, unless an innocent inexperienced, husband-hunting, flirtish, or intriguing person.
Director Steven Soderbergh's Traffic was more typical Oscar bait, but the high-minded three-hour film about the drug trade along the US/ Mexican border was also inconsistent, and Soderbergh's fondness for mixing in grainy film stock and jerky handheld cameras didn't figure to endear him to older Academy voters.
Oh my good Lord, yonders foule Murthers done.
Ironic has been used vaguely at best for a good a hundred and fifty years.
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