The jazz quartet's sound changed dramatically when the bandleader brought in a pair of soprillo saxes for the encore.

The composer wrote a concerto for three sopranino saxes and a chamber orchestra.

The bass saxes added a mysterious depth to the jazz quartet's sound.

At the avant-garde concert, the composer scored parts for two subcontrabass saxes to anchor the orchestra's lowest register.

The jazz quartet's two alto saxes blended perfectly on the upbeat number.

The bari saxes added a warm, brassy depth to the big band's sound.

At the festival, the soprano saxes wove bright, piercing lines above the rhythm section.

The band featured two tenor saxes weaving soulful melodies during the midnight set.

At the outdoor concert, the deep rumble of the contrabass saxes shook the old amphitheater.

The orchestra added two baritone saxes to deepen the harmony in the brass section.