In the anything but static popular culture of the 1970s, daytime drama found itself at odds with both the place of women in contemporary, real-world situations and the contextualized, melodramatic world of females in soap operas.
Here, you possibly find the so-called “flow-effect”: the ability to capture and achieve a state of happiness (according to happyologist Mihaly Csikszentmihalyi [pronounced: Tschik-zent-mihai]).
flags fluttering in the wind
To hare and rate them thus at every turn, is not to teach them, but to vex, and torment them to no purpoſe.
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