For commonlie, many scholemasters, some, as I haue seen, moe, as I haue heard tell, be of so crooked a nature, as, when they meete with a hard witted scholer, they rather breake him, than bowe him, rather marre him, then mend him.
I was so hot from being in the sun too long.
Raeburn also quotes Rudi Blesh's rhapsodic praise of “the first recordings of pure New Orleans jazz made in modern times . . . pure, uncommercialized jazz . . . as it sounded in its first flushes of classicism . . . the music of the men . . . who never lost faith in the pure melody that speaks to the heart."
That our work, therefore, might be in no danger of being likened to the labours of these historians, we have taken every occasion of interspersing through the whole sundry similes, descriptions, and other kind of poetical embellishments.
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