This involves articulating epistemics as collective actions in the here and now through which answers to politicoepistemic questions are enacted in the workings of concepts expressing a variety of epistemicities.
Significantly, Asian theater was also an important source of Eisenstein’s theory of expressive movement: the instantaneous shift from action to pose is akin to the “transitionless acting” he found in kabuki.
The man nodded at the satchel with its straps and brass catches. I said are you a cattlebuyer.
When M. Paladilhe was elected my friends said to me: 'Never mind; later on he'll vote for you, Maestro, and his support will carry a lot of weight'. I never had his vote, nor his support, nor his weight.
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