Peter Weir's The Cars That Ate Paris (1974), for example, begins with two brothers driving through the small town of Paris, Australia, only to suddenly encounter — via flash cut — a blinding white light in the road.
The four-handed human form of gods and goddesses is the second stage of evolution in idolatry according to the need of devotees.
A red-bellied black snake moves through her mind, sliding through the grass.
The managed old-growth alternative would actively recruit an acceptable number of large snags over time by allowing superdominant leave trees to mature and convert to large snags.
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