artists […] dabblingly pursuing a kind of formalist mannerism merely in the interest of careerism
These responses are not analyzed but are intended to discourage answers off the top of one's head to the next question, which explicitly asks if these situated responses reflect the strength of character on focus.
There is a house in Cherry street, not far from Catherine Market […]. A little to the north of its door stands an old-time tree; and for many a year it has been known to the “crossmen” and “knucks” of the town as “Jack Circle's watering place” and “fence.”
But Artaud describes certain strange transformations of facial awareness that one might imagine occurring under conditions of prolonged withdrawal and hyperreflexive contemplation — conditions in which the normally implicit and inner is extruded into a state of quasi-externality.
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