I have, accordingly, estimated the depth of drain at the lower end to be 1 foot 6 inches deeper than the fill of the clough, and given it a progressive rise to suit with 5 feet depth below the surface at its head.
The débouchés were ordered widened to afford easy egress.
My lord, if you’ll give me leave, I will tread this unbolted villain into mortar and daub the walls of a jakes with him.
To recapitulate: consider the human form—skin, bone, and flesh. Consider the painting—surface, structure, and pigment. With a little license, the first gives us the ingredients for what might be called human or “figurative” figuration; the second gives us the ingredients for abstract or “nonfigurative” figuration.
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