They rode, but authors having not / Determin'd whether pace or trot, / That is to say, whether tollutation, / As they do term't, or succussation […]

The Fleming Denis van Alsloot’s ‘Procession of the Religious Orders from the Town of Antwerp…’, painted in 1616 shows with excellent clarity six musicians playing a trombone, two alto pommers, a discant schalmey, cornetto, and a dulzian played on the left side with the right hand uppermost, the exact opposite to the dulzian’s descendant, the bassoon, which is played the other way round.

Room. Rooms. It same thing. Jalii was above accidence.

It is a “pampathy” or all-feeling which produces in every individual a deep-felt longing to be at one with the whole universe of which each is a part.