Matte painting is a tool that filmmakers can use to create a scene that is impossible to achieve with conventional cinematographic means.

People either come as lovepats or as skilled migrants, for work.

While alteritism begins as a critical and theoretical revision of a Eurocentric or Orientalist study of the literatures of colonialism, its indiscriminate reliance on the centrality of otherness tends to replicate what in the context of imperialist discourse was the familiar category of the exotic.

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