—Why is it like this? —Eh, It's like that eh.

Richard Leacock's 1981 film portrait, Louise Brooks, was shown during a retro of Ms. Brooks's films at the Walker Art Center.

In conjunction, much freight traffic was to be dieselised under the W.R. scheme.

[…] the intimate revelations of young men or at least the terms in which they express them are usually plagiaristic and marred by obvious suppressions.