It is typically held that chairs, trees, rocks, people and many of the so-called ‘everyday’ objects we encounter can be regarded as individuals.
In John Gay’s The Beggar’s Opera (1728), the ludicrously contrived last-minute rescue of Maceath works as a deliberate deflation of opera’s various dii ex machinis.
She was arrestingly beautiful.
Basically if you are on the up, don't pull the ladder up after you!
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