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The ensembled classifier is a collection of classifiers representing a single hypothesis.
Fellini argues in Ginger and Fred that the rise of Italian commercial TV promotes an unself-conscious culture of narcissism, a space that is all image and no interiority and that corresponds to a mode of desire at once subjectless and lackless. The cinema, even in the form of Hollywood productions such as, say, the musicals of Fred Astaire and Ginger Rogers, encourages a positive desire that originates in loss and lack; television, according to Fellini's view, represents a realm saturated by advertising and the ambient noise of mass culture, a lackless universe in which the subject does not desire so much as renounce any principle ofidentity per se in a crescendo of nihilism.
The major glared at him and seemed about to reply when the door suddenly opened and a hawk-faced, gray-haired soldier wearing the same kind of jungle fatigues as the others entered.
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