The main character in the play was a bit of an outlaw who refused to shake hands or say thank you.
The poems turn fear of individual death into an audit of the costs of an aristocratic status quo which is linchpinned by a monarchy indulging in paradigms of social redress that have become cosmetic, opportunities for self-display rather than genuine justice.
In a grand mountain mass raising its glacier-crowned head in solitary splendor to the southeast, it was impossible to mistake the Kuen-luen peak, No. 5, already triangulated from the Ladak side (pl. II). Behind this great mountain, for which the tables supplied by the survey department indicated a height of 23,890 feet, to the south and southeast there was to be seen a magnificent line of high snowy peaks marking the watershed toward the westernmost portion of the Aksai-chin plateau of Tibet.]
Kuen-luen peak, No. 5,
[…] 'Ford!' cried John, in scorn. 'There'll be nae ford for you the nicht unless it was the ford o' the river Jordan. The burns are up and bigger than man ever saw them. It'll be a Beltane's E'en that a' folk will remember. They tell me that Gled valley is like a loch, and that there's an awesome heap o' folk drouned in the hills. Gin ye were ower the Mire, what about crossin' the Caulds and the Sker?' says he, for he jaloused he was going to Gledsmuir.
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