I never could abide shoemakers, said an old servant,—and it ended in her marrying one.
I never could abide shoemakers,
And of his retenue the bachelrye, With many a soun of sondry melodye Unto the village, of the which I tolde, In this array the righte wey han holde.
But it is impossible to prepare for competition and make the same kinds of gains as you would if you were training with full intensity and not dieting. When you're training to compete, you have to focus on details, bringing out small muscles, separation. And it's obvious that you can't make maximum gains while you are restricting your food intake.
So until that point, “Project Runway” will have to suffice as the proving ground for a projected dialogue and synthesis of identities and sexualities. The relative stability of these socially-determined roles and hierarchies from a historical perspective is not likely to change anytime soon, but at the very least the TV program can demonstrate for us that identity and expression through all media matters, that they need not be predetermined or repressed, and that it is possible to be a peacock in a world of pigeons. And I think that the “Project Runway” mentor Tim Gunn, a former champion swimmer, a librophile, a student and a teacher of design and a proud gay man, demonstrates this potential perfectly.
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