The author of the Waverley novels is another fine example; but he clearly takes his highest rank as a descriptionist—the painter of effects and appearances rather than of facts and of causes.
She had never heard of matzo, never tasted the bitter herb, never waited, impatiently, for the moment when she could eat the charoset.
INVENTION. A term used by J. S. Bach, and probably by him only, for small pianoforte pieces — 15 in 2 parts and 15 in 3 parts — each developing a single idea, and in some measure answering to the Impromptu of a later day.
The other young man, because his host, Sir John Marraby, was not yet on the scene, had no locus standi, and […] had to be ignored.
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