this little instrument of loquacity, and conveying into it a perpetual affluency of animal spirits.
The half-dozen pieces […] were painted white and carved with festoons of flowers, birds and cupids. To display them the walls had been tinted a vivid blue which had now faded, but the carpet, which had evidently been stored and recently relaid, retained its original turquoise.
Your money's no good here, he answered, shoving the two dimes across the bar to me. Sadly I dropped them back into my pocket, sadly we yearned toward the blessed stove and the armchairs, and sadly we went out into the frosty night.
Your money's no good here,
[…] a moment later such cheering and shouting, such jumps and reels of joy, such hand-shakings and kissings and embracings of everybody by everybody else broke out that the tears came into Jill’s eyes.
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