A few boostings are percieved as upboostings, but are realized in such a way that the auditively upboosted syllable is placed below the surrounding stressed syllables, and acoustically looks more like a downboosting, see fig. 11.

Nobody understands the puer aeternus and also the puella aetermiss because they are the archetypicals of eternity in time. […] The puer and puella are more like masks/roles in this respect because no one ever measures up to these standards. So most people only know the pue's by the shadow or shallow. […] And the puers and puellas don't remember anymore the ego's DIGNITY AND HONOR because they are worn out.

Our rural tracts--where no Babel-chimney scales the heavens--are without mighty objects to fill the soul with the sense of an outer world unconquerably aloof from our efforts.

The pleasing of colour symbolizeth with the pleasing of any single tone to the ear; but the pleasing of order doth symbolize with harmony.