The hulusi, also known as a poleweng, baihongliao or bilangdao, is a two or three pipe free reed from southern China played by the Dai, A'chang, De'ang and Wa people.

While 1:1-10 introduces the letter as a whole and not just chapters 1–4, a recollection of the theme of Christ's universal Lordship in the church to end off the first major unit is fitting and suggests that 4:14-17 is the end of the section.

Such dissemblance, at any rate, is not a temptation at this exhibition.

[…] thus, automatically, cold compound systems have been selected, which deexcitate by evaporation of one or two neutrons.