Jane Austen's Emma (1816) illustrates the social novel's association of androgyny with selfish privatism.

I don't get smasheroo. I wasn't smasheroo that night. I had a drink, yes, maybe I had two drinks, but not smasheroo.

It is in this regard that Monsieur Ouine becomes a veritable antipriest, the Pontiff of Hell.

A group of naval one- and two-ringers were chatting by the office door with a few ratings, complete with kit-bags and oilskins.