[Terrence] Malick’s ponderously poetic whateverism informs the pacing here, although writer-director David Lowery’s 90-minute mood piece is certainly a bit tighter.
The movie ends in disaster.
While there is a wide range of practical applications for this problem (e.g., reachability analyses, geomarketing, visualizing the cruising range of a vehicle), there has been little research on fast computation of isochrones on large, realistic inputs.
If they aren't getting it, explain it a different way.
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