You could hear Martin and Shellback's touch in the bright, punchy sound of those songs, “We Are Never Ever Getting Back Together,” “I Knew You Were Trouble,” and “22.” Yet the songs are unmistakably Swiftian; unlike other Martin songs, ...
When I walked by later I saw a window had been smashed and on the plywood patching the hole someone had spray-painted the words “McShit Meat is Murder.”
That building just fell over!
The problem of inadequate motivation is much more acute in The Fancies Chaste and Noble, where the whole plot turns upon the fact that the Fancies are Octavio's nieces, but a reason for concealing their nieceship is never given.
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