So sentences in which a referenceless name occurs have no sense, either.

The question is the same if inverted in a Manichean form: how can Voldemort and his wicked forces have such power and yet be unable to destroy a mild-mannered and rather disorganized schoolboy?

There are also recent acquisitions and promised gifts to admire: a sulfurous early farmscape by Mondrian; a shimmering Bonnard still life from 1926; a blocky, abstract sculpture in cast plaster by Georges Vantongerloo, also from 1926; and Magritte’s enigmatic “White Race,” from 1937, which dissects a female bather, evoking both Picasso’s monstrous paintings of Olga and his pneumatic treatments of Marie-Thérèse Walter.

But even this will not answer, as both the outside Horses must have distinct rigwoodies, and would seldom or never, have equal weight upon their backs.